2012 was a great year for movies. There were some gems and then there was John Carter. The less said about that one the better. I haven’t been a particularly big fan of the Oscar movies this year with the exception of Argo, Silver Linings Playbook, and Life of Pi. And there were certainly some shocking omissions. Not a single nod for The Dark Knight Rises, really? There were some truly polarizing films this year that couldn’t quite stand up to the nitpicky nerds who have nothing better to do than find every conceivable plot hole and inconsistency in every summer blockbuster. There were so many good movies this year it didn’t take much effort to come up with a solid list of 20 movies worth seeing. I’m not sure if this list accurately reflects the word “best” but these are certainly my favorite movies of the year. Here’s hoping 2013 is even better.
1) The Dark Knight Rises (dir. Christopher Nolan)
The only
movie I saw three times in the theater was “The Dark Knight Rises.” The
concluding chapter of the immensely popular Batman trilogy is soaring and
rousing closing chapter and caps off the series in a tremendously satisfying
way. Although, I realize, not exactly to everyone. Much has been said about
various plot holes and some implausibility but with a movie this entertaining
that stuff doesn’t really matter. Any movie that followed the success of “The
Dark Knight” was bound to be scrutinized under a microscope. This movie worked
on every level for me, it belongs on such a great scope that it just feels epic.
As the final chapter it feels like there’s so much more at stake. The finale
was so exciting and thrilling and an ending so pleasing I can’t help but want
to watch it again and again.
2) Argo (dir. Ben Affleck)
Ben Affleck has become a creative
force to be reckoned with. This is his third feature film and it’s the third
time his films have my year end list. “Argo” is arguably his best film, and
it’s a film deserving of all the praise and awards its been honored with.
“Argo” tells the true story about the CIA’s mission to help American hostages
escape from Iran
in the 1970s. The film is taut and thrilling and actually very funny. It’s sort
of a strange mix of “Ocean’s Eleven” and “Munich.”
The film’s highly praiseworthy 70s style and aesthetic is simply marvelous.
You’d swear this was a film made at the height of the American New Wave. And
it’s the best of the Oscar-nominated bunch.
3) Prometheus (dir. Ridley Scott)
Ridley Scott triumphantly
returned to sci-fi filmmaking with this long gestating project that changed
form just as many times as the alien creature that inspired it. It began as an
“Alien” prequel, morphed into its own entity, and then sort of morphed back
into an “Alien” prequel again. The story follows scientists on an otherworldly
mission to discover the creation of humanity. But there are a few bumps along
the way as they begin to breed a new life form of their own. Starring Noomi
Rapace in a strong female lead ala Ripley, she’s destined to discover the
creators of man and ends up giving birth to her own disgusting creature in the
film’s most disturbing sequences that will certainly be remembered for years to
come. It’s a film that refuses to answer all your questions and is as
provocative as it is engaging and beautiful.
4) The Impossible (dir. Juan Antonio Bayona)
This impeccably
crafted disaster drama is based on a real family’s ordeal during the terrible
2004 Indian Ocean tsunami. The wave killed
thousands and thousands of people. Bayona has meticulously recreated the events
in an equally horrifying and impressive way. It’s not always the easiest film
to watch but it’s simply intoxicating. The performances are outstanding
especially Oscar-nominee Naomi Watts and a young Tom Holland playing her eldest
son. The two share a fascinating screen presence as mother and child who refuse
to give up hope of reuniting with the rest of their family. A truly gripping,
realistic, and rewarding cinematic experience.
5) Frankenweenie (dir. Tim Burton)
Tim Burton returns to
stop-motion animation with a vengeance with this stylish gothic tale about a
boy so attached to his loving dog that he tries to revive it Frankenstein-style
after its hit by a car. This wonderfully fun and quirky tale, filled with
Burton’s trademarked weirdness, is shot in glorious black and white with
lovingly created bizarre characters and a fun story about the power of
friendship between boy and dog. This is arguably one of the most
quintessentially Tim Burton-esque films the auteur has directed since 2007’s
Sweeney Todd and certainly one of the most purely delightful.
6) Looper (dir. Rian Johnson)
What a truly original, thought-provoking,
and entertaining movie this is. Those are the elements the best science-fiction
films have to offer and Looper is no exception. Taking place in the future
where time travel has been invented but quickly outlawed, goons send hits back
in time where “Loopers” kill them and dispose of them. Eventually they’re
forced to “close their loop” but killing the older version of themselves.
Joseph Gordon-Levitt comes face-to-face with his older self, played by Bruce
Willis, who goes on the run. The film features terrific performances and
effects – it’s truly destined to be a modern sci-fi classic.
7) Skyfall (dir. Sam Mendes)
Who would of thought British
stage director turned art-house film director Sam Mendes would be what the
James Bond series needed oh so badly? One of the best movies in the long
running spy series, “Skyfall” features terrific action, character development,
and emotion – the later two nearly a first for the series. The film has the
cojones to kill off Bond before the end credits – don’t worry he’s not really
dead – and features a wickedly good turn by Javier Bardem as one of the series
most charismatic and insane bad guys. Judi Dench gives a wonderfully emotional
performance as M, who actually - surprise - turns out to be one of the best
Bond girls ever. I was enthralled the entire time; it gives long time fans hope
that the series will endure another fifty years of movies equally as good.
8) Ted (dir. Seth McFarlane)
Easily the funniest comedy of
the year (with 21 Jump Street
a surprising close second). This wickedly funny and smart high concept comedy
from the mind of the guy who created TV’s Family Guy, invites us to believe in
the story of a man and his real-life best friend teddy bear. A child’s wish is
apparently a powerful thing in this film as it turns a boy’s teddy bear alive.
The talking bear quickly becomes an international sensation and then becomes a has-been.
As an adult Ted (voiced by McFarlane) is still best buds with his human
counterpart played by Mark Wahlberg who begins to drive a wedge between him and
his girlfriend played by Mila Kunis. This movie is filled to the brim with
filthy scatological humor and it’s freaking hilarious. The movie has fun with
typical genre conventions but it does take itself seriously enough that you
don’t realize just how quickly you become invested in Ted as a real character
(and some really nifty CGI effects help).
9) Sinister (dir. Scott Derrickson)
It just wouldn’t be my
top ten list without a great horror movie making it on here. I’ll admit that
2012 was not a very good year for horror. But it did produce a very scary film
that is on the level of last years Insidious. “Sinister” is an odd hybrid of
“found footage movie,” “ghost story movie,” and “murder mystery.” A true crime
writer moves his family into the house where strange murders had previously
occurred (bad idea) and then he finds reels of the most disturbing home movie
footage you’ve ever seen in you live. Welcome to America’s Scariest Home Videos.
There are some truly warrant scares here and the film’s story never quite goes
where you expect it. Truly fun stuff for fans of the genre.
10) The Hunger Games (dir. Gary Ross)
Let’s credit director
Gary Ross, who made the wonderful fantasies “Big” and “Pleasantville” for making
The Hunger Games work as a thrilling and exciting film. It’s story is
essentially for adults: in a dystopian future teenagers are forced to kill each
other as part of a sadistic reality show. Yet this is somehow a popular young
adult novel that young girls seem to fawn over as if it had teenage vampires in
it. It has way more in common with “Battle Royale” and “Series 7: The
Contenders” than “Twilight.” This is a no-holds-barred science-fiction thriller
that simply amazes. Jennifer Lawrence gives one of two great performances this
year as Katniss who volunteers to take part in the “Hunger Games” to save her
sister’s life. Everything about this world is fascinating from the clothing to
the architecture to the disturbing way the bourgeois leaders pimp the children
and teenagers out as they prepare to fight to the death. It’s still bizarre to
me that it has such a strong following for such a young demographic, but it was
disturbing and dare I say and rather fun; and it’s as far from the quality of
Twilight as you could ever imagine.
11) Life of Pi – Beautiful photography and stunning visuals.
One of the most emotionally rewarding films of the year.
12) Wreck-It Ralph – Truly original and classic. A wonderful
nod to nostalgia with terrific animation. How is this not a Pixar film?
13) Django Unchained – Tarantino’s bloody good time revenge
Western. Gripping, with some truly memorable performances and moments.
14) ParaNorman – A great year for animation includes this wildly
fun stop-motion animated tribute to the horror genre.
15) Silver Linings Playbook – A fun, quirky, and ultimately
uplifting romantic comedy with really likeable performances.
16) 21 Jump
Street – Destined to fail, this surprisingly hilarious
comedy is another win for nostalgia.
17) Wanderlust – A criminally underrated romp from the hilarious
Wet Hot American Summer weirdoes.
18) The Amazing Spider-Man – A fun and thrilling, if
slightly unnecessary, summer blockbuster. But it’s definitely worthy of the
Amazing in its title.
19) Hitchcock – A great behind-the-scenes look at the Master
of Suspense’s making of Psycho. Truly rewarding for Hitchcock fans.
20) Killer Joe – A completely bizarre and disturbing
thriller. Exactly what you’d expect from William Friedkin.
And a tribute to 2012 in film:
And a tribute to 2012 in film:
2 comments:
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The movie occurs in May 1940, when Churchill is going to be appointed Prime Minister of the uk.
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