Everyone is talking
about the great performance that the 7-year-old Jacob Tremblay gave
in “Room.” And they should: it is one of the best child
performances I have ever seen in my life. It's almost a shame he's in
the movie so much because obviously the Academy had reservations
about giving a Best Actor nomination to a little boy. He's just
really something. The film, which also stars Brie Larson, is such a
fascinating experience you almost forget how outright disturbing the
initial premise is. Larson is a woman who lives in a small room with
her 5-year-old son Jack (Tremblay). To Jack it's the only place he's
ever known because his mother creates an entire fantasy about the
world they live in. In a weird way it's themes are reminiscent of
“Life is Beautiful” in that both films are about parents
shielding their children from the horrors of reality. Of course, this
woman isn't in this room by choice: she's being forced there against
her will by a man we only come to know as “Old Nick” (Sean
Bridgers). It's disturbing yes, but it's so emotionally rewarding and
the filmmaking and acting are so good that it's worth every painful
minute.
I feel conflicted
about discussing the plot of “Room” without giving too much away
but it feels like from the trailer and from the film's plot
description it's not a surprise that half of the film takes place in
the room and the other half takes place outside the room. The first
half of the film shows a filmmaker at the top of his game. Lenny
Abrahamson finds so many interesting ways to tell this story. First
of all it begins with a wonderful script from Emma Donoghue who
adapted her own novel. She wisely tells the story almost entirely
from the point of view of Jack. Abrahamson's camera relays this to
the audience in ways that are pretty impressive. Just the fact he was
able to make such a small, confined space so interesting is an
achievement in and of itself. The film's later half opens up a lot
but is still mostly from Jack's point-of-view. Essentially it's a
really fascinting and different story about growing up and learning
about how the world really works.
The performances
here are simply astounding. Larson and Abrahamson have so much
chemistry together you'd think they were actually mother and son.
Both are simply standouts. Joan Allen is great as well in the film's
second half also as a mother who suddenly has her daughter back in
her life. What's so amazing about “Room” (and sure one could
argue the film's first half is stronger than the second) is how
easily this could have been a made-for-TV melodrama. It avoids all of
that to tell a coming-of-age tale in a very unique way.
“Room” is just
downright amazing. It sidesteps sugar-coated sentimentality for rich
characterizations, a solid narrative structure, and interesting
visualizations. The performances here are amazing, especially the
young Tremblay who gives an Oscar worthy performance. Larson is no
slouch herself, imbuing her character with kind of raw emotions and
inner conflict you'd expect to find in a character like this. It's
such a difficult subject matter but Abrahamson handles it in the most
tasteful way possible. Watching the film I sort of felt the same way
I felt watching “Whiplash” last year: you know know you're
watching a new talent breakout right before your very eyes. It's just
transfixing and completely satisfying on every level. GRADE: A
Trailer for Room on TrailerAddict.
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