It turns out “The
Legend of Tarzan” is more than just not-very-subtle marketing
featuring a ripped Alexander Skarsgård. This new adventure is yet
another adaptation of the classic Edgar Rice Burroughs (and it
certainly won't be the last) character who's raised by gorillas in
the jungles of Africa. This new adventure, of the hundreds of
adaptations since the early 1900s, is the first big profile release
since Disney's 1999 animated hit. “The Legend of Tarzan” is
traditionally told and ends up being a rousing adventure story in the
vein of “The Mummy” or “King Kong.” Is it altogether
“necessary?” Probably not, but at least the spirit of the
character and the sense of adventure are alive and well in this big
budget extravaganza.
This new Tarzan
adventure saves the origin story to flashbacks and instead takes
place after Tarzan (Skarsgård) has already assimilated back into
regular society. He goes by his birth name John Clayton III, drinks
tea and is married to his beloved Jane (Margot Robbie). The film's
main plot revolves around the evil Leon Rom (Christoph Waltz), on
behalf of the king of Belgium, trying to exchange the jungle man
known as Tarzan to an African tribe in exchange for valuable
diamonds. John agrees to visit is African home and those he remembers
from his past, reluctantly letting Jane tag along until the
homecoming becomes an unexpected rescue mission. Soon John must
become the vine-swinging Tarzan once again and restore order to the
jungle.
Is “The Legend of
Tarzan” silly? Of course it is; it's about a man raised by gorillas
who swings from vines. There's a reason why that scene from “Indiana Jones and the Kingdom of the Crystal Skull” was so negatively
received; people swinging from vines is a silly concept in the modern
film age. That doesn't mean that this new Tarzan is a heck of a lot
of fun. It's like a fun safari adventure that reminded me a lot of
Peter Jackson's “King Kong” remake. Sure the visual affects
aren't all that amazing but they get the job done. This isn't up to
the level of “The Jungle Book” which had Oscar-worthy CGI
animals.
The actors here were
pretty decent. Skarsgård is fine in the title role and he certainly
looks the part. His Tarzan is a man of few words (of which are
written by co-writers Adam Cozad and Hustle & Flow's Craig
Brewer) and I believed him and Jane were in love. Robbie is set to
become a household name any day now. Waltz choose the scenery as
another over-the-top, but entertaining villain. And Samuel L. Jackson
feels predictably out-of-place as George Washington Williams but he's
certainly adds the requisite comic relief. Director David Yates, who
spent half a decade directing the latter Harry Potter movies, feels
right at home here. The movie's African accented music score from
Rupert Gregson-Williams is a standout here. The film flows nicely,
I'd be lying if I didn't get caught up in the story as predicable as
most of it is.
“The Legend of
Tarzan” is just a fun throwback adventure. It sort of reminds me of
a fun 90s adventure with modern effects. The actors are good, the
direction is fine, and the story movies along and isn't overly
complicated. I can't account for how much the story aligns with the
original source material but it feels like a proper modern live
action version of the character. Sure there aren't any fun songs here
like the Disney classic but it all goes down smoothly; for a fun
diverting adventure you could do a lot worse. GRADE: B
Feature Trailer for The Legend of Tarzan on TrailerAddict.
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