It turns out
“Ant-Man” was exactly what the Marvel Cinematic Universe needed:
an enjoyable lighthearted heaping of fun. It was first MCU film
released after “Avengers: Age of Ultron” and it was a refreshing
palette cleanser. It turns out, its own sequel “Ant-Man & the
Wasp” functions in much the same way after the truly astonishing
but intense experience that was “Avengers: Infinity War.” Comedy
is always the best medicine and there’s no better proof of that
than the hilariously charming antics of Paul Rudd as Ant-Man. Set
after the events of “Captain America: Civil War,” this sequel
finds our hero Scott Lang under house arrest. Of course that won’t
stop him from helping rescue Hank Pym’s wife from the “quantum
realm.” It’s all lighthearted fun and the perfect antidote to the
ten years of MCU films that continue to be entertaining if
emotionally draining.
“Ant-Man” was a
comedic heist film essentially. “Ant-Man & the Wasp” isn’t
quite as cut and dry; I’d more of a rescue mission film but not
quite as focused story-wise as its predecessor. Our hapless hero
Scott Lang (Rudd) having attempted to leave his life of crime behind
him, finds himself with an ankle bracelet for violating the Sokovia
Accords in “Civil War.” At least now his daughter and ex-wife
have forgiven him so there’s no family drama there. The family
drama this time consists of Hank Pym (Michael Douglass) experimenting
with the possibility of entering into the subatomic “quantum realm”
to rescue his wife Janet (Michelle Pfeiffer) who went subatomic
decades earlier and was assumed dead. But since Scott went subatomic
and returned unharmed it seems likely that Janet could possibly still
be alive. Is it preposterous? Oh my yes. Is it entertaining as hell?
You bet.
And let’s not forget Scott’s new partner “The Wasp” played by
Evangeline Lilly in one of her most charming performances yet. As
Hank’s daughter Hope, Lilly imbues the film with warmth and emotion
that has somewhat eluded the actress up to this point. She shares
incredible chemistry with Rudd and her onscreen father as well. These
people are so likable that their charm really carries the film. And I
haven’t even mentioned Michael Peña as Scott’s former prison
buddy who has some really great comedic moments here. The comedy
works so well in these films because director Peyton Reed made films
like “Yes Man” and “Bring It On.” Sure, not exactly comedy
treasures, but the guy knows what he’s doing. The action scenes are
gripping, the shrinking and growing mechanics are clever, and the
humor is funny.
Of course we all
know a super hero movie is nothing without a decent villain. Here we
get a mysterious figure in a white costume not unlike Lang’s
shrinking Ant-Man getup, who is molecularly instable and can walk
through objects, including walls. This “Ghost” (played by “Ready
Player One’s” Hannah John-Kamen) adds a fun mystery to
proceedings and the character’s story arch is unpredictable and
interesting. There are other appearances from Laurence Fishburne and
Walton Goggins that don’t add too much to the proceedings.
“Ant-Man & the
Wasp” feels almost borderline insignificant compared to the other
strong MCU efforts this year “Black Panther” and “Avengers:
Infinity War” but it’s no less enjoyable or well-made. You can
easily watch the Ant-Man films without the baggage of ten years of
films to wade through and be just as entertained. And the whimsical
music themes from Christophe Beck is among the MCU’s most
memorable. These films really remind me of how fun the Sam Raimi
Spider-Man films were to watch when they first came out. Bright,
colorful, fun and oozing with charm and humor. GRADE: B+
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