There definitely is
something there that wasn't there before. And that's not necessarily
the best thing. The groundbreaking 1991 animated musical hit “Beauty
& the Beast,” hot off the heels of the equally iconic “The
Little Mermaid,” set a new standard not only for Disney but for
animated films in general. Clocking in at 84 minutes, the film was swift
yet majestic, stunningly animated, and absolutely fun. The film was
brilliant and remains so, but there really wasn't all that much
substance behind it.
Enter a new era where classic Disney animated
films get the live action treatment because now we have the
technology to see dishes sing and dance. But with a new runtime of
129 minutes the glossy new Disney musical threatens to overstay its
welcome. Filled with extra somewhat sub-par songs (only in comparison
to the superior originals) and mildly unnecessary plot elements
disguised as character development, “Beauty & the Beast” is a
really fun movie with great performances, dazzling musical moments,
and fun bursts of humor; though it might be a bit overstuffed for its
own good. It's not quite as garish as the live action “Alice in Wonderland” but not as emotionally rewarding and visually lush as
“The Jungle Book.” I have no qualms about recommending “Beauty
& the Beast” to every single person who is excited as hell to see
it.
We've sort of
entered a new era for the movie musical. Directors are more
interested in filling out their casts with great actors who can sing
decently instead of decent actors who can sing great. And that's
fine. Emma Watson, still hot off her longtime run in the Harry Potter
films, stars here as Belle. She's the girl whose nose is always stuck
in a book and her fellow villagers think she's a freak. Then there's
the walking pile of testosterone Gaston (theater-trained Luke Evans
who steals the show) who pines for her affection. Belle's father
(Kevin Kline) unwittingly ends up locked in the castle of a monstrous
Beast (Downton Abby's Dan Stevens), who is actually a handsome
asshole prince who was cursed by an enchantress along with the rest
of his servants; they're all threatened to stay as inanimate objects
for eternity unless the Beast can learn to love and earn someone
else's love in return (but we all know that). Belle, being the strong
willed woman she is, defiantly replaces her father as the Beast's
prisoner and so begins a tale as old as time in which a beautiful
book smart townswoman learns to love the hideous hairy beast who's
keeping her prisoner. The ick factor is almost more obvious in live
action, but I digress.
Ninety-nine percent
of the audience going to see “Beauty & the Beast” will
already be completely familiar with the film's entire plot line. More
importantly, how exactly are the songs? They are good but different.
Tempered exceptions are beneficial here. They don't quite sound the
same as the animated film and that's completely fine. The actors all
have decent voices, they wouldn't have been cast otherwise. But
technology isn't just used to make a clock and a candelabra come to
life; they also help actors' voices sound better. Watson has a
beautiful voice even if it's not that particularly impressive.
Stevens doesn't get to do much singing as the Beast (he does get his
own original song towards the end) but he's very good as well. The Be
Our Guest sequence, like the animated original, is still the
showstopping number and Gaston's song is still a really fun sequence
as well.
Director Bill Condon knows how to make things familiar and
fun and while the recognizable moments are spot on, it's the new
elements that fail to conjure much excitement or interest. There's a
somewhat boring sequence that finds Belle and Beast in Paris but it's
over quickly enough. There's more backstory which is appreciated more
than it's actually necessary. The animated film's characters are
pretty one-note to begin with so it's obvious screenwriters Stephen
Chbosky and Evan Spiliotopoulos tried their darnedest to give these
characters three dimensions.
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